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NPES Announces ISO Release of Process-Independent Color Data
HP Adds Pair of Latex Printers
Smithers Pira: Transition from Analog to Digital Accelerates
Second Edition to ‘Printmaking’ Guide Published
Essentra Launches Tapes for UV-Coated Material
magazine experience by exploring our interactive digital edition.
Mark A. Coudray
Finding, Developing and Prospering From Niche Markets
Discover tips and techniques that can help you profit from untapped niche markets.
Determining and Maintaining Optimum Screen-Inventory Levels
Learn how to use mesh and frame management to streamline changeovers and ensure that screens are always ready when needed.
Managing Changing Technology: Strategic and Tactical Lessons, Part One
Explore impact of new technology and the benefits of timing its implementation properly.
The Benefits of High-Pressure Washes and High-Tension Screens
Find out how using an industrial-grade pressure washer to develop stencils and reclaim mesh will improve the quality of your prints and prolong the life of your high-tension screens.
Expanding the CMYK Gamut in Photoshop
Broaden the gamut of your prints by using Photoshop to create fifth- and sixth-color separations.
Combining Stochastic and Conventional Halftones to Conquer Localized Moiré
Using different types of halftones in an image can be an effective solution to recurring localized moiré problems.
Advantages of the Computer-to-Screen Workflow
Computer-to-Screen systems have boosted prepress productivity in many segments of the industry. Discover the benefits it can have for your shop.
Explore the direction that computer-to-screen imaging is taking and how you can best take advantage of it in your operation.
The Realities of Implementing Computer-to-Screen Imaging
Creating Underbases and Detail-White Printers
Assessing and Controlling Textile Dot Gain
Tuning Your Print Procedures for a Color-Managed Workflow
Tuning Your Print Procedures for a Color-Managed Workflow, Part 2
Describing, Specifying, and Using Digital Digital Color Space
Hitting Halftone Targets Through Linearization, Part 2
The Realities of Color Matching
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