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GSG Launches New Line of Plastisol Ink
Ryonet Offers Riley500 Manual Presses
Mimaki Increases Kebab Options
International Coatings Introduces Glow-in-the-Dark Ink
The Benefits of Screenroom Automation
magazine experience by exploring our interactive digital edition.
Mark A. Coudray
Tricks for Fixing Bad Images
Coudray describes techniques you can use to overcome resolution, color, image-quality, and file-format issues.
Making the Most of Pin Registration
Discover how to refine each step of the prepress workflow so you can realize the benefits of pin registration.
All Things Are Not as They Appear
Coudray explains how following time-honored recommendations for pairing halftone line coutns can lead to undesirable printed results.
Combining Conventional and Stochastic Halftones to Overcome Moiré
Learn how to overcome naturally occurring moiré by combining conventional and stochastic halftones on the same printing screen.
Using Prepress as a Foundation for Total Quality Management
Want to streamline the accuracy, efficiency, and profitability of the screen-printing process? Start by loading quality control into your prepress procedures in order to eliminate variables further downstream in production.
Reducing Dot Gain and Improving Tone Range Through Posterization
Coudray presents a helpful technique for maximizing tone range, print contrast, and image detail in your prints.
Film Positives and Accurate Image Translation
Coudray examine the different types of imagesetters and offers advice for getting consistent, high-quality output.
Regaining Control of Prepress
Learn how to avoid substandard artwork so that your customers stay satisfied and your reputation and profitability remain intact.
The Realities of Implementing Computer-to-Screen Imaging
Creating Underbases and Detail-White Printers
Assessing and Controlling Textile Dot Gain
Tuning Your Print Procedures for a Color-Managed Workflow
Tuning Your Print Procedures for a Color-Managed Workflow, Part 2
Describing, Specifying, and Using Digital Digital Color Space
Hitting Halftone Targets Through Linearization, Part 2
The Realities of Color Matching
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