ANATOL Equipment Mfg. Co.
|
|
 
The Single Color of Money
The profit potential in single-color garment designs is a lot greater than you may realize. This month, Triming-ham describes how to add visual impact, extra value, and a higher price tag to your one-color work. (2008-04-10)
Can a T-shirt printed with just a single color really be worth more than one decorated with a dozen? Today’s market for printed apparel says it certainly can. I discovered this trend, much to my surprise, during a recent online invest . . . MORE |
 |
|
|
Creating Artwork for Direct-to-Garment Inkjet Printing
Reaping the benefits of digital imaging on apparel requires command of art preparation. This article describes how to set up garment graphics for inkjet printing and examines the variables associated with this method of decoration. (2008-03-10)
Every new technology you approach has a learning curve. The steepness of that curve depends on your ability to adapt and modify existing work habits. Those who are interested in direct-to-garment (DTG) inkjet systems are often lured by the notion . . . MORE |
 |
|
|
Testing Your High-Performance Substrates
Davis explains why determining how a high-performance polyester garment will behave on press and in the dryer is a critical part of a successful print run. (2008-03-05)
Each fabric in garment screen printing presents the printer with a unique challenge. Understanding the printing characteristics of the fabrics we use is a critical part of the business, whether we work with 100% cotton, 50/50 cotton/poly blends, p . . . MORE |
|
Index Color: The Fastest Proof-to-Print System?
Index separations are often avoided by those who fear being stuck with too many colors to print. This month, Trimingham debunks some myths about index color and explains how to use it as an effective tool in prepress. (2008-02-06)
The index separation can be the fastest and truest proof-toprint system for screen printing. The benefits of index separations are numerous, but one of the biggest advantages to the index model is how simple it is to set up a job in vector softwar . . . MORE |
 |
|
|
From Panhead Harleys to Process Color: The Story Behind Anderson Studio
What happened when a passion for art, music, and motorcycles collided with an interest in screen printing? Anderson Studio was born. Learn about the shop’s history and how it became known around the world for its garment work. (2008-01-23)
Stretching T-shirts over wooden crates, using flock adhesives instead of ink, eyeballing registration—it was the early 1970s, and Andy Anderson had decided to become a garment screen printer. Off-contact and screen tension had yet to become . . . MORE |
 |
|
|
The Benefits of Standardizing Your Workflow
Davis describes how process standardization can help your garment-printing operation survive dramatic shifts in the marketplace. (2008-01-08)
The garment-printing industry has seen some rather radical changes over the years. This industry was once the land of plenty, and the US was riddled with massive textile facilities. But now it’s a shadow of its former self. Ninety percent of . . . MORE |
|
Increasing Profit by Crunching Colors
This month, Trimingham describes how to reduce costs and presssetup time by determining the fewest number of colors required to produce a garment graphic. (2007-12-10)
How many screens must a garment printer use to produce artistic images? The answer to this question has fed an ongoing battle between the art department and the production staff for a long time. But the one thing that everyone agrees on is printin . . . MORE |
 |
|
|
1 - 7 of 98 matching records |
|
|
|
