This year’s ASI Show Chicago (asishow.com), to be held July 14-16 at McCormick Place, will again feature the Graphics Central Pavilion for signage, decoration, and graphics professionals. Formerly known as the Signage + Decoration Pavilion, the hub was renamed to reflect the heart at which ASI attendees in the promotional products field meet with sign companies, garment decorators, and other printing professionals.
One of my best and oldest friends is a promotional-products distributor who has been working in the licensed-sportswear market for the past 20-odd years. He’s been on both sides of the channel, first as a buyer with a major retailer and then as a distributor specializing in pro and collegiate sports merchandise, so he has a nice 360º perspective on what works and what doesn’t in the promotional-products business.
The Graphic Arts Show Company (gasc.org) has announced that Graph Expo 16 will be held in Orlando's Orange County Convention Center, a departure from the show's traditional location at McCormick Place in Chicago. The dates will be September 25-28, 2016.
"We are pleased to bring Graph Expo 16 to Orlando," said GASC president Ralph Nappi in a statement. "We see Orlando as an ideal destination to maintain and expand our current US audience, and also build our international contingent of attendees, particularly from Latin America."
Jerry Swormstedt, the former third-generation chairman of the board and president of ST Media Group Intl., the parent company of Screen Printing magazine, died April 4, the day before Easter, after having suffered a massive heart attack on Good Friday, April 3. Jerry was the 1994 recipient of the sign industry's highest honor, the Distinguished Service Award (now known as the Kirk Brimley Distinguished Service award), presented by the National Electric Sign Association (now the International Sign Association).
DscoopX, held March 5-7 outside Washington, D.C., welcomed more than 2200 attendees this year amidst a late-season snowfall that blanketed the city. This year’s show included a 45,000-square-foot tradeshow and a heavier focus on packaging, with a range of educational sessions for this sector. Presenters suggested a transition from conventional to digital printing, which eliminates plates, cylinders, and mounting equipment and reduces opportunities for human error.
Drupa (www.drupa.com) has released the initial findings from its second annual global trends report, a survey of 1100 international print providers and suppliers conducted in October 2014. The results suggested a general feeling of optimism among print professionals; 48 percent of PSPs and 51 percent of industry suppliers forecast improvement for their companies in response to the question “How do you see the outlook for the coming 12 months?”
Once again this year, Durst is hosting “Durst Digital Days” – a three-day international open house for customers, news media, and other interested parties in the professional printing industry. This year’s event is set for April 14-16 at the company’s headquarters in Brixen, Italy. Its focus is label and package printing, and Durst will feature the Tau 330 UV Inkjet Digital Label Press.
The original ChristChurch cathedral in New Zealand was severely damaged by an earthquake in 2010. A second earthquake in 2011 destroyed its original stained-glass rose window. The Transitional Cathedral, designed by architect Shigeru Ban, was built nearby in 2013 and is nicknamed the “Cardboard Cathedral” due to the extensive use of cardboard tubes in its construction.
Just a couple years ago, screen printing was the only method used to decorate flat glass for architectural purposes. One reason screen printing monopolized this market is its versatility. It can be used for both printing (selectively imaging designs) and coating (complete solid coverage). It also allows for an almost limitless range of deposit thicknesses depending on the ink and requirements of the job.
Agfa Graphics announced today that Tim Dean has been appointed Packaging Specialist for the mid-west region of the United States.
Tim is a printing industry veteran, having started his career as an offset pressman for the Nielsen Lithograph Company. He worked as a technical sales representative for both Taussig Graphic Supply and xpedx before joining The Pitman Company.
Tim has worked at Agfa Pitman as an account manager helping customers navigate increasing business challenges and meet their business goals.